![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-5pnW0eT4lHSqCim0C7wKzcrKMHL5iEtjCUARD0WSUhGkJaN3XTSITqj_hPJ4Q2jre-NNfUhW0ZLpoESo5nYklVUiLwWcdy4iYnX4oxsIKPpT58bziP7XyOF5AxmZ0DClgxj0trH1DtQK/s400/IMG_8341-75.jpg)
Okay, this is probably my new favorite thing to do --
soy wax discharge! The only time I did soy wax batik was nearly 2 years ago and I've been anxious to get back into it (where does the time go?). I hadn't done batik discharge before, though, so I started off with that today.
The first three of these pieces were commercial black fabric. The one on top was discharged with bleach. First I tried bleach gel -- which I've never had great results with -- but it was discharging too slowly for me...so I mixed up some 50/50 bleach and water and brushed it on. Ten minutes later, this is what it looked like!
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB3u-QsOALNG9WEwr6l8Gr4nBLvngUqT50zVHy-fK0bKNp-BjgjHFPCTDze71QKwRiUToYmq7Pkvb66lx8wPuOVs8ViTuoSoTyTWaQdjAKl23oKyJVahEV6AgZYC46EPMFQuHLDnUE-OId/s400/IMG_8338-75.jpg)
The second piece was discharged with thiox paste, which I've been wanting to try. I used a paste made of 1 tsp soda ash (dissolved in a small amount of very hot water), 1 tsp thiox, and 1/2 cup of alginate print paste. Brushed that all over the waxed piece, when ironed between sheets of newspaper. I wasn't real happy with the amount of discharge, so I increased the thiox to 2 tsp, plus added some water to aid in the painting, then discharged and ironed out the piece below.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-CNSy5quCbQEmz8Y1ADWzHyXV2QEXpTueSGwTTSW-5bCw6XqcIRmVRTfwdgHBmt7oDsAJ-q1I9CxxR-dXAiOGa4NFSCjrGNAF5MuODYYRrI8X9q1k4-wbavBEWX_AIR_GiWNFXPiaoZrC/s400/IMG_8343-75.jpg)
Much more to my liking!
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq45r_xRlT1_ZMKNqA8O0NfOWTd05rh-w7XcffOKdqW3EDmaOrIvn7N_Ql6OxL7PKulfgItnI3BMTXOYboXsjM_eAbO_IWpeFZwQGKZLyHMWVihyphenhyphenh3Djvj2ws0SsnZtfbfbyS1TtXc8Tjq/s400/IMG_8344-75.jpg)
This last discharged piece was done with the same formula as the one just above, but I used a piece of muslin that had been shiboried and overdyed at least once. You can see what I started with today if you look at the dark areas, which are a honeycomb pattern originally created by shiboriing the fabric on a rope. The piece looked rather hopeless to me -- way too dark, and on the way to the dust bin before today's save.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs0TWvrwjzwTPhbzsMcOqebDfsMnQqnCGxXxMuZokB0hRila_1Pw8mznxWmnJ5peqsIf7fMCdDaA26gFdvOJwBDtlORUbK9cuUHClOFCdnQdIXVdqaOBkJEBWk-MXy3naIOnajFasZZQtU/s400/IMG_8346-75.jpg)
This is the last piece of fabric with potato dextrin on it, after 2 days drying. It'll get painted or dyed and batched tomorrow.
So, all in a day's work -- a morning's work actually...I spent the afternoon resting again. Next up, some soy wax batik with paint or dye. Stay tuned!
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