![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjF9LXur-58uWLfoFLyMK5qP_aNXImg1aUzERit0Jcc0ttxWYfuc2G60Zi9fZNm0cUMRXRzCgJ0s8WinrnIBQEpnbdIdN9fFnYpiIwYVLsSPMTtg7F42HMvrBQ0_Ic5zZJt1KyQ8vA5F00/s400/IMG_7836-75.jpg)
Here's my second interpretation of a photo taken on Bellagio, Lake Como, in late 2007. This new piece is called
Looking Back, and it is 20x16 inches. See the first quilt and the photo
here. I totally love this new quilt, which brings together several techniques I've wanted to try, in one place.
First off, it is wholecloth -- one piece of fabric rather than pieced in any way -- and as such, is a piece of muslin that I "painted" with Caran d'ache Neocolor II watercolor crayons. Actually, I drew the scene with the crayons, then added water, and it became a watercolor painting on fabric.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy2OKU5UJNTt2Pv0WRIhLQ47W2DzpTRM_SO8HvrtX7A9oU7Aa6RKwMF7LXF6lzgJpKQwBGFc-_2z-yxRmxm5hXnupmaWU_GDe1ITH46fdlNwqiB7FjTxKCbYwgJXHF5P9iNnoAtttoGxZA/s400/IMG_7837-75.jpg)
After the fabric was dry and ironed to set the colors, I layered it with backing and batting, basted and then quilted it. The quilting is different for me, in that there's a lot less of it than there was on the first piece earlier this month. And I also quilted the color areas in a more general sense than I usually do, paying less attention to detail.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9nKLCvV2_LFOpNEZH1NbhQon5nJc5fWg_rXb-iUFcIWIAjWLffHsgp-9DUk32r0wUkBMMXgm_ikeaQEkcbkjkq5BYhEXz2XtTwB6FzMH6II2ss6kirSxOdZihGd921L6wo4NdD0qphfAN/s400/IMG_7844-75.jpg)
When it was all quilted, yesterday, I dabbed on metallic textile paints to give the impression of leaves, throughout. I used Lumiere, Setacolor Shimmers and Golden Fluid Acrylics.
I love the painterly quality of this piece, and so glad I finally experimented with painting the wholecloth and then quilting it.
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